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Northern Westchester Music We understand how music can transform characters, so we never cease looking for ways to convince and infect others with that simple truth. We offer private lessons covering a variety of instruments to individuals of all ages, aptitudes and interests. Lessons are tailored to need, interest and demand. Our teachers are qualified, truly motivated and dedicated, accommodating, but fair and demanding, focused on progress and success. Whether preparing students for their NYSMA exam, various recitals and auditions or just deepening their knowledge and mastering an instrument, the goal never changes.
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Northern Westchester Music School (NWMS) was founded in 1959 by Carmen Carrozza, a world famous accordion player. In 2005, the ownership of the school was transferred to the current owner Jacek Zganiacz, a classical pianist from Poland and a Juilliard graduate. The school is conveniently located at the French Hill School building in the center of Yorktown Heights. Our studios are equipped with quality instruments and a library of books. We teach a variety of instruments and voice to students of all ages.
We are happy to introduce a new and revolutionary piano teaching method created by Mary Jane Tashiro, an accomplished pianist, composer and teacher. This Children's Piano Course was composed out of necessity. As a teacher for many years, it was apparent to me that children need to enjoy practicing the piano.
Students may enroll at any time during a semester, there is no commitment, students may stop taking lessons at any time. How long are the lessons? We usually offer 30-minute private lessons, however 45- or 60-minute lessons are also available. Will I get a discount if I enroll in more than one class?
Banjos are essentially drums with strings. Imagine a drum with an animal skin head stretched over it, a wooden neck attached to one side and some gut strings from one end of the neck to the other side of the drum. Add a device for tensioning the strings at the end of the neck and a bridge making contact with the head, over which the strings pass and you have a rough banjo.
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